June 16th, Mbuyisa Makhubu and the children.

As part of my writing life I visit a lot of schools and libraries – many of the children I meet are aged eleven, twelve and thirteen. An age at which children should be children with all the freedom that entails.

In Soweto in 1976, and in the rest of the country in the years beyond that, children were out on the streets facing grown men in uniform. Men armed with tear gas, rubber bullets and live ammunition. Children who were often the same age as the children in fifth and sixth Class that I now visit. Hundreds of schoolchildren, who left home that morning in their school uniforms, said goodbye to their parents, perhaps to their siblings and their grandparents and walked to their deaths. The next time their parents would see them would be in Baragwanath hospital or in the morgue.

Brave brave children who took on a system that was set up to humiliate them from birth. A system that ensured they would have no future. A system that had decided they should learn their subjects in Afrikaans in order for them to understand the ‘baas’ (boss, for those not from SA) when he gave them orders. A system that had declared they would be granted access to an education that would prepare them for a life as ‘hewers of wood and drawers of water’.

In June 1976 they took on that system and many of them died for it. The spark that started it was the issue of learning certain key subjects in Afrikaans (introduced in 1974) and this affected both teachers and pupils. The protest started off peacefully, around 15,000 students marched towards Orlando Stadium in Soweto – but police were waiting for them.  It is best remembered by those who were there,and Independent Lens interviewed some of them in this short film . It is worth watching this if only to see the how young some of these little ones were who were taking on what was a very powerful state.

Soweto 1976 Independent Lens PBS

The picture, shown in the film,  that has come to represent June 16th is of Hector Pieterson being carried in the arms of Mbuyisa Makhubu, with Hector’s sister at his side. Hector was dying. he was thirteen years old. He, along with Hastings Ndlovu, was one of those shot and killed in that initial volley of fire.  

Mbuyisa’s face that haunts me in this picture. It haunts me because of what became of him. 

A year after this photo was taken – an iconic photo by now – Mbuyisa went into exile. He has never returned. No one knows what has happened to him. Stories have been told of him in Nigeria, of him becoming unwell, of him dying – but to date his family do not know what became of him. His mother appeared before the Truth Commission – and her plea at the end of it was:

All of us are going to die but I do want to know how my child died and when did my child die. And I’ve come here because this is my last hope, that maybe the Commission could help me find out what happened to my child.

She died in 2004 never knowing what had happened to her son.

Mbuyisa Makhubu

Gowran National School

Went today to visit 4th Class at Gowran National School here in Kilkenny. They are officially (well, as far as I know!) the first class in the country to have read The Sleeping Baobab Tree. Was a lovely visit, lots of very interesting questions on the book – and they read The Butterfly Heart just before this, so lots of comparative questions. All good!

Thank you to their teacher, Emer O’Keeffe, who organised the visit. As music came up in conversation I was also delighted to hear that she had heard my brother’s band, Mango Groove, on a visit to South Africa – so for her, I have added in a video of one of their songs.

Here is the class

Gowran National School

And here is Mango Groove

 

Make Me Care – Clues to a great story

SCBWI (The Society of Children’s Book Writers and Illustrators) is a great organisation. There is a chapter of it here in Ireland and similar ones all over the world. It was founded in LA in 1971 by a group of children’s writers and has gone from strength to strength since then.

One of its services to writers is a magazine they bring out every two months, the SCBWI Bulletin – and without fail it is jam packed full of useful information, opinion pieces and reviews. It is an invaluable resource.

This month one of the articles is entitled TED Talks that May Change the Way You Work, Think and Live. For those who don;t know TED go and take a look - 
http://www.ted.com/
 It’s tagline is: Riveting talks by remarkable people – free to the world! And so it is.

One of the talks mentioned in the SCBWI article is by Andrew Stanton – The Clues to a Great Story. Definitely worth a look. He makes many valuable points in his talk but one of them stands out. To quote – ‘When you’re telling a story, make me care. Please. Emotionally, intellectually, aesthetically. Make me care.’

How true is that? Of any story in any genre any format and for any age. Perfectly true.

Anyway, will not transcribe the whole talk but worth a look and a listen. Lots to be learned.

Many other links recommended to TED talks in the article – including those on the Power of Introverts, Ken Robinson on Education, Jill Taylor on accessing the creative, bliss filled part of our brain and Elizabeth Gilbert on Your Elusive Creative Genius. .

And all for free!

An SCBWI illustrator Elena Ospina

An SCBWI illustrator Elena Ospina

Gobblefunked

A lovely review just in of The Butterfly Heart courtesy of the crew at Gobblefunked (great name!) in Australia.  Have put the review in below but you can find it on their website at gobblefunked. Go and take a look, lots of reviews!

THE BUTTERFLY HEART

Zambia is the butterfly in the heart of Africa, and like a butterfly it is beautiful but fragile.

Within reading the first few pages of Paula Leyden’s debut novel The Butterfly Heart (2011), it is not difficult to imagine you are sitting beneath a baobab tree on a warm Zambian evening. Leyden effortlessly describes the sights, sounds and smells of Zambia and contrasts their beauty against the phenomenon of child brides.

Bul-Boo and her twin sister Madillo could not be any more different if they tried. They squabble about anything and everything, sometimes not talking for days. But when their school friend Winifred becomes withdrawn and unlike her usual bubbly self in class, they unite to get to the bottom of it. It seems young Winifred has a dark secret. One that will change her life forever. She is to be married off to her cruel uncle’s friend. A man old enough to be her grandfather and thirsty enough to drink all the beer in town. Time is running out and it is up to Bul-Boo, Madillo and their neighbour, Fred, to save their friend before she loses her childhood, innocence and future.

After much contemplation, the school friends decide to ask the local snake man, Ifwafwa, for help. A mysterious old storyteller, Ifwafwa is a very wise man who knows evil and how it can quickly erode a young person’s life. He is very fond of Winifred and knows that he must act to save her from the forced marriage awaiting her. He sees the sadness and pain in her mother’s eyes, a woman who is a shadow of her former self after the death of her husband and the violence she endures daily. He wants to help give her and young Winifred a voice. Bul-Boo knows of Ifwafwa’s power but also of the sluggish nature of his decision making. Impatient as ever, she is getting restless but she must learn to trust in a higher power and in the wise old man.

Ifwafwa. Yes, that’s what they call me. The Puff Adder. Slow and heavy, but fast to strike.

Winner of the 2012 Eilis Dillion Award, this book is a wonderful introduction to Zambian culture and human rights issues. Leyden was born in Kenya and spent her childhood in Zambia, something which is evident in her lyrical writing and vivid imagery. She is respectful of the traditions of this beautiful country but is well aware of the many problems facing it today and the effect these problems will have on future generations. Steeped in history and witchcraft, this book is a wonderful debut novel and leaves readers wanting more. Thankfully, Leyden’s second book, The Sleeping Baobab Tree was released in May 2013 and it revisits the school friends on their next adventure.

Writing and David Bowie

Watched a brilliant documentary the other evening on David Bowie entitled Five Years. What was consistently striking about it was his dedication to his craft and the fact that he constantly evolved and changed what he was doing. Musically he never stood still – as evidenced by the extraordinary variety in his music throughout his life right up to his recent release The Next Day.

David Bowie Five Years

David Bowie Five Years

Like him or hate him there is a lot to admire about him and a lot to be reminded about as writers.

Number one is discipline. The discipline to sit down and write, to research, to promote, to learn more  about the craft – but above all to write.  To use the time that you have (and this varies for everyone, it can be snatched moments between work, children, daily life or it can be unfettered time) in the best way. It is a mega cliché but time passes and once it has gone it has gone – so you owe it to yourself as a writer to use it well.

Number two is to make sure that with each project you take on you extend your abilities, move yourself on – go forward. This is no different than in any type of work or occupation if you are lucky enough to be working in an area that allows for this – take yourself to the next level. Make it better. Stretch your brain. Never be satisfied. In writing we can do this as it is self directed, it is up to us as writers to manage what we do and how we do it.

Number three is cooperation – and this is different for musicians than for writers. The evolution of a song is very different to the evolution of a novel. Writing is a solitary occupation – but it does not have to be lonely. Being part of a writers group is one way of cooperating – or getting the corners rubbed off you! Sharing your writing with a partner, your children, writing friends, illustrators is another. This is not for everyone. I know of writers who work till its done and then let it out into the light. I am not like that – I like feedback, I think it improves my writing.

And Number Four is I suppose be true to yourself. To do this you have to know yourself, but when you do be true to who your are. Because it shows.

Now I just have to go and remind myself to listen to my own advice – far easier to give advice than to follow it.

Book Titles

The title of a book is so important – and not many people have titles as consistently good as Gabriel Garcia Marquez (in my humble opinion) – and I suppose that is linked to the fact that not many people write as well as he does (again … in my humble opinion..)

Think of these:

Love in the time of Cholera

One Hundred Years of Solitude

Chronicle of a Death Foretold

The Handsomest Drowned Man in the World

No-one writes to the Colonel

Memories of my Melancholy Whores.

The General in his Labyrinth

General

Other titles I like, from other authors

Up in Honey’s Room – Elmore Leonard

The Poisonwood Bible – Barbara Kingsolver

Of Mice and Men – Steinbeck

And to think that I saw it on Mulberry Street – Dr Seuss

Death is a lonely business – Ray Bradbury

Dandelion Wine – Ray Bradbury

Things Fall Apart – Chinua Achebe

Looking for Transwonderland – Noo Saro Wiwa

Looking for Transwonderland

OK I’ll stop now … but it is a hard thing getting a title right, and it does matter!

First Review in of The Sleeping Baobab Tree

The indefatigable Mary Esther Judy over at Fallen Star Stories (and Dubray Books Galway) has just written (on a public holiday – dedication beyond compare) a beautiful review of The Sleeping Baobab Tree.

Thank you Mary Esther – I am so pleased it spoke to you in this way!

Mary Esther

THE SLEEPING BAOBAB TREE
Author: Paula Leyden
ISBN: 9781406327939
Walker Books
Sister Leonisa is always telling her students grim and gruesome stories. One day, she tells them all about Ng’ombe Ilede… the place of the sleeping cow; the place of death. As Bul-boo and Madillo arrive home filled with her horror stories, next-door neighbour Fred (himself always full of tales of woe) informs them he is to go to that very spot with his fearsome witch great-granny, Nokokulu. Also, that night they learn that patients from their mothers’ AIDS clinic are mysteriously vanishing; one of the vanished just happens to be Freds’ wonderful Aunt Kiki. Is all of this a strange coincidence or fate? With Bul-boo and Madillo stowing away in the boot of the car, Nokokulu drives a doom-laden Fred out into the Zambian wilds for an encounter with mystery and magic the three will never forget. At the sleeping baobab tree, anything could happen.
It is such a joy to return to the lives of Bul-boo and her twin Madillo in the butterfly heart of Africa. Leyden’s descriptive text gives full texture to the place, the people and the beliefs of Zambia with a strength that allows the reader to believe they are there. While Bul-boo and Madillo again provide a sense of the duality of human nature; the pragmatic meeting the superstitious; this story primarily belongs to Fred, who struggles with his inbuilt sense of impending disaster at every turn. The relationship between the three friends provides a strong, yet easy dialogue with the aspects of loyalty, mystery, common sense and confusion that make up their emerging world-view. Add to this the frightening and yet stabilising character of Nokokulu, a symbol of roots and tradition as strong as the ancient Sleeping Baobab Tree, and we have an impressive dialogue with a social structure in conflict with itself; which of the old way to keep and which to throw away; how to move fully into the contemporary world and remain who we truly are; a quality that allows the story to easily relate wherever the reader may live.
It may seem that these are heavy, burdensome concepts for young readers to take on, but not at all. The story is not weighed down by messages or agendas. It is adventurous, mysterious and humourous. The friendships are tangible. The characters are identifiable and become easily lodged in the readers’ hearts and memories. The situations in which the friends find themselves are believable and are depicted from a child’s-eye view that never speaks down to the reader, but leads them through a wondrous and heart-felt journey.  As with Leyden’s first book; ‘The Sleeping Baobab Tree’ is simply beautiful, and an absolute joy; a rare and wonderful gift.
(Note: There are teaching notes available for both of Paula Leyden’s books, making them ideal novels for class use.)